Seeds of Human Experience
نویسنده
چکیده
A fter a long career as a professor of psychology, John Velois retired nearly 20 years ago. Shortly before he retired, though, friends gave him a copy of Corel Draw and an early 3-megapixel digital camera. Crude by today’s standards, those became the components of his rst forays into the digital art universe. As his academic career came to a close, he found elements of his psychology experience buried deep within the creative process. Valois had always been interested in art—he painted with oils and traditional techniques during the 1960s and 1970s, but after migrating to the digital world, he adapted quickly. Using Adobe Illustrator and other vector-based programs, he missed the easy ow and manipulative power of the analog paint brush. As with countless others before him, once he discovered Adobe Photoshop, everything changed. The multitude of brushes and lters allowed him to do things the analog world never could. “Not only was I now painting with light instead of paint, I could explore colors and shapes without end,” Valois says. “In essence, I could work on any piece in myriad numbers of ways—add, subtract, integrate, and modify at any time without having to wait for paint to dry.” After upgrading his camera, Valois became an avid photographer. A photo will serve as the basis for his work, but the nal product often barely even resembles his original photograph.
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ورودعنوان ژورنال:
- IEEE Computer Graphics and Applications
دوره 36 شماره
صفحات -
تاریخ انتشار 2016